Interlude XLVI: Objectify Guy

We’re now ramping up production on Phantom of the Opera.  Fifty-two talents each with four costume changes.  The sets need erecting.  Mary Ellen and Ellen are stressed to the max, the seamstress hasn’t arrived, and I’m flailing around taking notes and plugging up holes popping up left and right.  And it isn’t even rehearsal week yet.   Good grief.

It’s so crazy a gal could use some objectifying, so why not my favorite go-to – Guy of Gisborne. Hey, had it not been for this bad load of pretty, I wouldn’t have discovered Richard Armitage.

Enjoy.

Guy demonstrates to Marian how semi-nudity is integral to the story, Courtesty of richardarmitagenet.com

Guy demonstrates to Marian how semi-nudity is integral to the story, Courtesy of richardarmitagenet.com

8 thoughts on “Interlude XLVI: Objectify Guy

  1. “Guy demonstrates to Marian how semi-nudity is integral to the story” 😀
    I needed that laughter, Judi . Thank you!
    PS: To me one unruly strand of Guy’s hair is more sexy than whole forms of Porter or Lucas 🙂

  2. The pleasure is all mine….. ….I would never ever put a question mark over the fact that semi-nudity is always absolutely integral to all the stories RA in ….

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